Void refers to emptiness, absence, or cleared space. Philosophically, it has been seen as both nothing and potential, the ground where new meaning can emerge. For Heidegger, emptiness is not just lack but the opening where being discloses itself. In art and design, voids can emancipate subjectivity—giving the viewer or user space to project, imagine, or simply exist without saturation. Yet void is also feared, often filled too quickly with function, program, or spectacle. Voids are not wasted space but charged gaps. They allow rest, ambiguity, estrangement, or even emancipation—places where people confront openness and themselves.
»Paradigm shift« has been, for at least a decade now, one of the most used phrases in landscape architecture. We use it mainly to address the need to focus on design with natural processes in mind. This is important as it concerns our core values, attitude towards nature, the understanding of natural processes and the […]
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