Extraction is the removal of natural resources from the earth—minerals, fossil fuels, timber—often through industrial-scale operations. It is both a material process and a political practice, reorganizing territories and ecologies into zones of depletion.
The Krater Collective is a group of transdisciplinary artists who have decided to transform their professions, studios and working conditions in order to act as advocates for a self-determined ecosystem in an abandoned construction pit in Ljubljana. In Crafting Biodiversity, they expand over their fenced-off domain.
How do we represent territories whose histories, economies, and ecologies have been shaped by centuries of extraction, yet are still often perceived as peripheral or empty? 1. Introduction In his book Norrland, journalist Po Tidholm opens with a poem that captures a long-standing reality: northern Sweden has long been a site of resource extraction— iron […]
In December this year, the European Union’s Deforestation Regulation will start to apply to medium and large operators and traders. For micro and small enterprises, the same rules will apply next year. This means that if a commodity, such as cattle, cocoa, coffee, palm oil, soya, rubber, or wood, and products derived from those commodities, […]
Dr. Jevgeniy Bluwstein, a Senior Research Fellow in the Department of Social Anthropology and Cultural Studies at the University of Bern, examines how the reductive Western view of landscapes reinforces colonization through exclusionary conservation practices, focusing on a case study of Tarangire National Park in Tanzania. Introducing the term “landscapism,” meaning the “double movement of colonizing landscapes/landscaping colonies,” Bluwstein offers a critical perspective, advocating for viewing landscapes through a lens of relationality.
Planet City is a worldbuilding project by Liam Young, envisioned as a multilayered city, occupying as little as 0,02 percent of Earth’s surface yet hosting all of the human population. Planet City is testing the Half-Earth idea by Edward O. Wilson, where we put aside half of the planet, to keep biodiversity. We spoke with Liam Young about the idea and the exhibition he curates, Visions of Planet City.
Caio Reisewitz has created an artistic intervention in the Mies van der Rohe Pavilion, titled “Suspendre el Cel”. To Suspend the Sky is the artist’s reference to activists shamans Davi Kopenawa and Ailton Krenak, alluding to Indigenous practices and beliefs of Amazonian people that the earth is made out of the sky, so the sky […]
Tim Waterman is Professor of Landscape Theory and Inter-Programme Collaboration Director at the Bartlett School of Architecture, UCL. He is Chair of the Landscape Research Group (LRG), a Non-Executive Director of the digital arts collective Furtherfield, and an advisor to the Centre for Landscape Democracy at the Norwegian University of Life Sciences. He is also […]
Liam Young is together with Kate Davies running the Unknown Fields project. They travel around the world and explore landscapes behind objects we used on a daily basis: materials for our phones, fabrics for clothes, lithium for batteries … We caught Liam in Ljubljana, where he was narrating Unknown Fields film live.
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