Rewilding describes practices of restoring ecosystems by reintroducing species, reducing human control, and allowing natural processes to resume. Renaturalization is often used interchangeably, yet the term itself is doubtful: what does it mean to “re-naturalize” in a world where untouched nature no longer exists? These concepts hold promise but also risk romantic simplifications—rewilding is never neutral, and decisions about what to restore and what to exclude are political. Wolves returned to Europe are both symbols of wildness and flashpoints of rural conflict. Renaturalization is a modality of engineering. Rewilding hence invites design that steps back, enabling processes rather than controlling outcomes. But it also demands honesty: nature does not return to a pre-human state, it emerges anew under changed conditions, always different.
The Krater Collective is a group of transdisciplinary artists who have decided to transform their professions, studios and working conditions in order to act as advocates for a self-determined ecosystem in an abandoned construction pit in Ljubljana. In Crafting Biodiversity, they expand over their fenced-off domain.
In the U.S., lawns cover nearly 2 percent of the land surface and, as researcher Cristina Milesi revealed using satellite data, “could be considered the single largest irrigated crop in America”—their total area is three times larger than that of irrigated cornfields. The infatuation with lawns runs so deep that, in some cases, failing to […]
Krater includes no landscape architects and follows no formal landscape architecture plan. Yet it is an intervention in landscape that stands as a provocative inquiry into the status of abandoned plots embedded within the urban fabric. The project poses fundamental questions: is a site truly ‘neglected’ if a thriving biotope has already taken hold? Could such a space, in its self-organized vitality, already constitute a form of an urban park? How to organize the social dimension? Krater unfolds as an expedition into landscape itself—an open-ended investigation in which fragmented architectural elements function as instruments of observation, experiment, and reflection. The site operates as a living laboratory, challenging conventional practices of open space production and the disciplinary boundaries of landscape architecture. It addresses relevant uncertainties the Anthropocene entails, engaging critically with issues of multi-species coexistence and the contested notion of environmental harmonization.
At a time when landscape architecture often seeks to simulate nature through aesthetic approximation or even mimicry, Krater seems oblivious to such representational impulses. Its proposition is radical in its restraint: rather than imposing form, it frames this ‘third landscape’ as a space of ecological processes, social encounter and experiment, revealing alternative logics of co-inhabitation, agency and design—logics that may become increasingly relevant as landscape architecture confronts its own ecological, ethical and epistemological limits.
Planet City is a worldbuilding project by Liam Young, envisioned as a multilayered city, occupying as little as 0,02 percent of Earth’s surface yet hosting all of the human population. Planet City is testing the Half-Earth idea by Edward O. Wilson, where we put aside half of the planet, to keep biodiversity. We spoke with Liam Young about the idea and the exhibition he curates, Visions of Planet City.
A post-industrial park is typically a sexy landmark, easy to make a story of, photogenic, and a palimpsest in itself. It presents a victory of public use over the private and industrial by opening previously closed-off spaces. A post-industrial park offers some crucial topics of remediation, adaptive reuse, and social integration, among others. For a […]
We are thrilled to share with you the interview with LILA 2022 Honour Award winner Gilles Clément. The interview was conducted in Paris in November 2022 by Zaš Brezar and Joost Emmerik. The editors wrote in the award statement: Gilles Clément (1943) is a French landscape architect or better ‘paysagiste’, having a more garden design-related […]
Arsenal Oasis is a unique project located in Tbilisi Georgia. It was designed for the Tbilisi Architecture Biennale by an urban design and research studio Ruderal. In this video, the designer Sarah Cowles explains the forces and circumstances that shaped the project. The LILA 2021 jury wrote: Arsenal Oasis is an experimental project that deals […]
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