Post-industrial landscapes are sites left behind by deindustrialization—factories, mines, quarries, ports—where production has ceased. Once seen as ruins of decline, they have become terrains for new ecologies, cultural reuse, and design experiments. They are haunted by contamination and memory but also rich in unexpected biodiversity. For landscape architects, post-industrial sites are among the most challenging and fertile grounds.
The Krater Collective is a group of transdisciplinary artists who have decided to transform their professions, studios and working conditions in order to act as advocates for a self-determined ecosystem in an abandoned construction pit in Ljubljana. In Crafting Biodiversity, they expand over their fenced-off domain.
Growing up on a farm in Tyrol, surrounded by repetitions of natural processes to which rituals and traditions attune, Weinberger developed an understanding of the nature–culture relationship observed from the periphery.
A post-industrial park is typically a sexy landmark, easy to make a story of, photogenic, and a palimpsest in itself. It presents a victory of public use over the private and industrial by opening previously closed-off spaces. A post-industrial park offers some crucial topics of remediation, adaptive reuse, and social integration, among others. For a […]
HPO is an art and event-architecture group from Ferrara. Their work has been, among other venues, presented at Milan Design Week and 18. Venice Biennale.
In the interview, we discuss the marginal position, DIY, incomplete architecture and the importance of play.
We continue with French philosopher Michel Foucault. In his 1967 speech to an architecture audience, he introduced the concept of “heterotopia”. It was published in 1984 as an essay, Des Espaces Autres (Of Other Spaces), and it deals with the nature of space and its relation to society. Heterotopias are unique spatial entities that challenge conventional notions of space and compel reflection on the social, cultural, and ideological matters of our world.
The production of landscape architecture projects has been in recent years outstanding, and our entire professional community has much to be proud of. But as always, there is a flip side; like in architecture or any design discipline of the globalised and speeding-up world, we are faced with a sea of sameness. Too many buildings […]
New Video Oral History with Julie Bargmann, Inaugural Recipient of the Cornelia Hahn Oberlander International Landscape Architecture Prize, released by The Cultural Landscape Foundation Eighteenth in an ongoing Pioneers of American Landscape Design® video oral history series that documents, collects, and preserves first-hand information from pioneering landscape architects The Cultural Landscape Foundation (TCLF) today announces the release […]
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