Migrating species embody movement as ecological necessity, crossing borders indifferent to human sovereignty. For design and theory, migrating species unsettle fixed spatial imaginaries, demanding temporal and geographic fluidity. They mark life as always in flux, never fully contained.
The Krater Collective is a group of transdisciplinary artists who have decided to transform their professions, studios and working conditions in order to act as advocates for a self-determined ecosystem in an abandoned construction pit in Ljubljana. In Crafting Biodiversity, they expand over their fenced-off domain.
Landscape architecture should engage intensively with conviviality—it has the capacity to unify many issues in current theoretical debates and connect the discipline to the global network of the conviviality movement.
An essay on how we push animals into playing roles — from fables and films to renders of biodiversity and art — tracing how these projections tame, abstract, or estrange, and how synurbists and artists unsettle the human–animal divide.
In the U.S., lawns cover nearly 2 percent of the land surface and, as researcher Cristina Milesi revealed using satellite data, “could be considered the single largest irrigated crop in America”—their total area is three times larger than that of irrigated cornfields. The infatuation with lawns runs so deep that, in some cases, failing to […]
Del Tredici’s argument is that these spontaneous plants are “de facto native urban flora” considering the novel conditions produced by humans. It is an argument against perceiving spontaneous vegetation including invasive, non-native plants and plants considered as weeds, to be less worthy. Labelling a plant “invasive” or “weed”, says Del Tredici, gives people the licence to blame it for ruining the environment and to get rid of it.
Domesticated and genetically engineered organisms are usually overlooked by natural museums and institutions for cultural history. There is no space for artifacts such as dogs, chickens and corn. The Center for PostNatural History is the sequel to the natural history museum, and takes agriculture’s evolution as a starting point. CPNH focuses on the deliberate alterations […]
When we speak of Nature in cities, the question we want to stress is, is nature in cities natural or in fact an artefact? When we speak of natural processes, they of course take place but apart from spontaneous nature, left to random succession, emerging in spaces that Gilles Clément calls the third landscapes, there […]
Urban biodiversity? Yes, please! Nevertheless … … Due to the transitional phase of our understanding of nature in the light of the Anthropocene, there are still some important notions, contradictions and misunderstandings that need to be addressed. To do so, we will operate with terms like nature, ecology, biodiversity, landscape, and aesthetics, and we’ll focus […]
We are thrilled to share with you the interview with LILA 2022 Honour Award winner Gilles Clément. The interview was conducted in Paris in November 2022 by Zaš Brezar and Joost Emmerik. The editors wrote in the award statement: Gilles Clément (1943) is a French landscape architect or better ‘paysagiste’, having a more garden design-related […]
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