As a design method, estrangement makes the familiar appear unfamiliar, disrupting habitual perception of environments. It can be achieved through defamiliarizing forms, re-contextualization, or minimal interventions that provoke re-seeing. Estrangement is not an aesthetic style but a cognitive tool, opening landscapes to renewed attention and multiple interpretations. It stages perception itself as part of the design outcome.
An essay on how we push animals into playing roles — from fables and films to renders of biodiversity and art — tracing how these projections tame, abstract, or estrange, and how synurbists and artists unsettle the human–animal divide.
Exploring the interplay between low-res design and the transience of landscapes, this essay foregrounds the notion of resolution, enquiring about a dynamic interaction with landscapes in flux.
As we confront the growing ecological crisis, it becomes increasingly difficult to argue that harmonious aesthetics, designed primarily for pleasure and ease, are always the most effective mode of expression. Perhaps there is space to question whether ecological efforts demand a different aesthetic attitude, one less fixated on traditional notions of balance and spatial conformity and more open to dissensus and confrontation.
Sarah Cowles of Ruderal presents their design for the Betania Garden near Tbilisi, Georgia, which was awarded LILA 2023 Special Mention in the Garden category. We start the discussion with an update on Arsenal Oasis, another LILA-winning project from 2021 (See the presentation). For the Betania Garden, the LILA 2023 jury wrote: At first glance, […]
The production of landscape architecture projects has been in recent years outstanding, and our entire professional community has much to be proud of. But as always, there is a flip side; like in architecture or any design discipline of the globalised and speeding-up world, we are faced with a sea of sameness. Too many buildings […]
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